Casa UNO — More Life Development

— The grounds

A lot made truly flat.

Most lots fight you — a slope here, a drop there, a yard you can only half use. This one doesn't. A hundred and fifty-five lineal feet of retaining walls were built into the land so the ground would lie level on every side — front, side, and rear.

You'll feel it the first evening — a table that sits true on the patio, children who can run the whole yard, a morning walk around the house that never once asks you to climb.

Some lots are sold as they fell. Ours was engineered — so the land would keep its word.

"1 of 1" — means there is nothing like her.

"1 de 1" — significa que no hay otra como ella.

Six bathrooms. All 1 of 1. Marble that doesn't repeat itself. Light arranged the way a film would arrange it — slow, deliberate, returning. Casa UNO is a modern reading of the colonial form, the proportions held by something older than the house but newer than the eye.

This is where the trilogy begins.

Casa UNO covered porch under timber gable in warm daylight — The porch, dayEl porche, de día

Entry hall with hardwood floor and rising staircase at Casa UNO — ArrivalLa llegada

Figure walking through Casa UNO kitchen at night with under-cabinet glow — A figure, after dinnerUna figura, después de cenar

Open staircase with black metal balusters and wood treads at Casa UNO — The black railEl barandal negro

Light through order.

The home is composed first by what comes through the windows. Marbles allow life to reflect uniquely — the same room reads differently at seven in the morning than it does at six in the evening, and the house was built to know that. Reflections that intertwine with our reality. Windows that seem like mirrors. Mirrors into our future.

Calacatta marble waterfall backsplash and pro range in Casa UNO kitchen — Calacatta, holding lightEl mármol sostiene la luz

Modern dining room with linear wood pendant fixture and herringbone floor — The line of pendantsLa línea de las lámparas

"Showers that glow like stars. Where spirits come to life."

Energy — we need her sometimes. Here you control when she goes on. Here you control when she has life. The architecture is generous about what it gives the inhabitant, and patient about waiting to be asked.

The star pieces, in motionLas piezas estrella

Cluster of clear glass bubble pendants in designer chandelier at Casa UNO — Glass, suspendedCristal, en suspenso

Frosted glass shower partition with rainfall texture at Casa UNO bath — Water, behind glassEl agua, tras el cristal

Backlit mirror with LED border and black sconce in Casa UNO bathroom — A mirror, lit from behindUn espejo, con luz detrás

Lived, not posed.

Casa UNO photographs are taken without urgency. They are not tours. They are evidence — of mornings, of silence, of the slow pleasure of a house that has decided who it belongs to. We do not hurry the camera here. We do not rush anything here.

Casa UNO at blue hour, upper porch warmly lit beneath a deep blue dusk sky — Blue hour, upper porchLa hora azul

Night exterior of Casa UNO, upper porch with two silhouettes against warm light — Two on the porchDos en el porche

Distant wide view of Casa UNO at night, all windows lit against dark sky — From a distance, at nightDesde lejos, de noche

The house keeps a slower clock. El reloj de la casa va más despacio.

Aerial view of Casa UNO — the full modern colonial elevation and roofline set square on its level Fairfield lot

— The exterior

The whole of her, from above.

Step back to the street and the house resolves at once — the gable carried clean to its peak, the timber porch held beneath it, the windows set in a symmetry you'll read before you can name. From the air the same order holds: one roofline, drawn in a single unbroken hand.

You'll feel it pulling into the drive at dusk — the silhouette already familiar, the house knowing you're home before you reach the door.

Some houses have a façade. Ours has a face — composed to be known.

View the full exterior

— Night mode

Night mode.

When the sun leaves, the house does not go dark — it begins again. Light becomes a guest that moves room to room: low and gold in the hall, caught in the bubble glass overhead, pooling on the stair where you'll pause without meaning to. She dances slowly as the night deepens — never the same hour twice. You'll learn her the way you learn a person.

Some homes turn off at night. Ours comes awake.

Schedule a night tour

Casa UNO at dusk — the bubble chandelier glowing through the gable window, sconces lit on either side

Color Palette.La paleta

Ten colors, chosen by hand — one at a time, against the real walls, at the hour they would be lived in. Nine are warm grays, close cousins, almost the same — and that is the secret. One gray reads like morning in the bedroom and like dusk in the study; warmed by oak in one room, cooled by stone in the next. You won't notice the palette. You'll notice that every room feels like it was waiting for you. Some homes are painted. Ours are tuned — color by color, room by room.

Bone

#ECE6D7

Morning walls — the house before it wakes.

Plaster

#E0D7C4

The center hall, holding the first light.

Oat

#D4C7AE

Bedrooms at seven — warm, unhurried.

Greige

#C2B9A6

Where the warm gray begins.

Fog

#ADA89C

The bath, after the glass clears.

Dove

#989389

A shadow allowed to stay soft.

Stone

#7E7872

The stair, in afternoon shade.

Ash

#625D57

The study at dusk.

Graphite

#3C3833

The black rail — the line that holds.

Brass

#C9B894

The one warm note — gold, asked for by name.

— The baths

Six baths. No two alike.

Casa UNO holds six bathrooms, and not one repeats — each its own marble, its own light, its own private hour. One wakes you behind a backlit mirror; another holds you behind rainfall glass while the steam clears. Six rooms, set the way a jeweler sets six different stones.

Some homes give you a bathroom. Ours give you six — each a one of one.

Backlit mirror with LED border and black sconce in a Casa UNO bathroom

A mirror, lit from behind

Frosted rainfall glass shower partition in a Casa UNO bathroom

Water, behind glass

Casa UNO holds three lanes.

Time, Her, and Him are not separate from this home. They live within her — three lenses we used in every decision.

Time

The hours the house was built. The decisions made and unmade. The patience between rough framing and final stone. "¿Qué es la prisa?"

Her

The morning kitchen with light through linen. The marble of the bath. The arc of the railing. "She turns the room without entering it."

Him

The library at midnight, lamp lit. The bar shadowed. The way a room rests after a long evening. "At night, we come alive."

— The build

Built by the family that stays.

Twelve years of foundations stand under these walls — every Cortes home since 2014, raised beam by beam by the same hands. The crew that poured the first footing is the crew that set the final stone.

Years from now, when the house asks for something, the same family answers the door — because they never really left it.

Some homes are built by a contractor. Ours are built by a family — and the family is still here.

Meet Cortes Building Group

Casa UNO.

University Area.

The house, told slowly.

DetailEl detalle

The Plans.El plano

A lot made truly flat.

Now imagine it yours.

Light through order.

Lived, not posed.

The whole of her, from above.

Night mode.

A home is the people who fill it.

Color Palette.La paleta

Six baths. No two alike.

Town, beach, and forest — held in one place.

Casa UNO holds three lanes.

One home, a whole world.

Built by the family that stays.

Told first.

Inquire privately.

Everything, on record.