We drew her twice — once on paper, and once in the light.
— The first line
A modern-coastal villa on a stone arcade, drawn to the southern light — crowned by a belvedere. The story of the planning, told quickly, the way it was lived.
— One hub · Una sola casa
Most firms touch one part of a home. We hold all of it — design, build, the development of the land beneath it, and the financing that carries it. The vision never leaves the room it was drawn in. Creation to execution, one hand to the next — thinking and building in the same breath. That is how a Home stays singular, and how it moves fast. Most homes are drawn on paper. This one was designed in real life.
Diseño, obra, tierra y capital — bajo un mismo techo. La visión no sale de la sala donde se dibujó.
— The levels · Los niveles
Where the day begins — stone to oak, entry to hearth to table. A center hall holds the Home in balance; the rooms turn to the southern light before you do.
Bedrooms turned to morning; the baths — five, each one of one — after the glass clears. We raised the ceilings only where the light needed room, never for show.
Above the arcade — the small room that crowns her. The line where the architecture meets the evening, and the view is let all the way out to the water.
I draw by hand, on site — architectural and design changes made on the spot. What would be days of drawings back and forth becomes a fifteen-minute meeting: drawn, seen, approved, built. The belvedere at Casa DOS was placed exactly like this — the proportion settled in real life, not on paper. We build her live, with real struggles, so we can hand her to you whole. And we would do it again.
Thinking and building — done cohesively, here.